BEGINNERS GUIDE TO AMATEUR TV
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One of the first things to do if you are interested in getting involved in Amateur TV is to establish whether there are any ATV signals being sent in your area. Monitoring on 2 metres should give you an idea of any local activity.The usual ATV talkback channel on 2 meters band is 144.75 Mhz. Some use 70cms. VHF polarity is usually vertical though some stations do use horizontal. This may vary from area to area and on different repeaters. 70cms is used for some talkback, especially if a suitable repeater is available. You may only hear one side of the conversation of course until you can receive on 23cms. Look at the LINKS page for suppliers of equipment described here. The BATC website www.batc.tv carries streamed feeds of most ATV repeaters in the UK so take a look there for more details. A list of current 23cm ATV repeaters is at www.ukrepeater.net/23cmtv.htm many of these repeaters relay the 2m talkback channel so that you can hear both sides of the contact.. |
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RECEIVING
TV
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AERIALS
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CABLES
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If
you have a repeater near you then a receiver can be used alone but normally you will require a preamp. A decent aerial and a pre-amp will be required. |
For
2 metre talk-back vertical polarity is generally used and in many areas
a dipole aerial roof /chimney will work quite well with a 5/10watt transceiver.
Low cost 4 element yagis are available from Amateur Radio shops, but being
directional will generally need to be mounted on a rotator. Horizontally
polarised yagis are used for tv on 23cms and are reasonably easy to make
or can be bought from about £25. If you decide that gain is less
important than 360 degree radiation then a JVL/Alford slot aerial will
be useful, thus avoiding the need for a rotator. A 23cms slot (see the aerials section of this website) and a 2 mtr dipole will save the price of a rotator
etc but at some loss of gain. Many local |
Probably the lossiest part of most systems.Check out the losses on the chart on technical data page.Use the best you can afford. For runs below 10 metres Westflex103 or Ecoflex15 are popular.They can be used on 2 mtrs but much cheaper (and thinner) alternatives such as RG58U will work on VHF. Short connecting cables between static bits of equipment generally use something like Quickform 141 and SMA connectors. N plugs for PA and output to aerial. If you are not transmitting, the 75 Ohm low-loss cable used for satellite tv reception is ok but is a compromise and may need an amplifier/booster at the aerial end to overcome impedance and cable losses. | ||||||||||
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TRANSMITTING
ATV
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FREQUENCIES
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REPEATERS
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Lets clear up the legal side first. You need a full amateur radio license before you can send those gorgeous pictures into the sky. No other special permission is required . There are certain specified areas of each band put aside for ATV and this should be strictly adhered to. You can send pictures and slides provided they are not offensive, religious or political. Home movies are fine to run but bad language should not be sent and music is not permitted at all. (Some background or incidental music is difficult to avoid, but unless there is a commentary with it, it should be avoided). Copyright material should not be shown without permission. | TV Repeater inputs usually around 1249MHz. Repeater outputs from 1304 to 1318Mhz. To find your local area repeater see the REPEATERS list. |
A list of ATV repeaters is available on this link. | |||||||||
MODULATION
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ANALOG:
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DIGITAL: The receivers are the Satellite receivers which are plentiful but they must be able to decode the low data format (generally 4 Ms/s) signals. SKY boxes and Terrestrial boxes are not useable for ATV. Previously, the digital MPEG2 encoders were only available from commercial companies who were upgrading their equipment and allowed their old encoders to go to the amateur community or the new SR Sytems digital encoders which were about £600. Now there are two other, cheaper options. The BATC have had a commercial MPEG4 encoder board modified to use a MPEG2 encoder chip, this makes a simple ready to switch-on and go transmitter (very low rf output so the usualy 2 stages of boost will be needed to get full output from your PA). Costing about £400 it is a saving over the SR Systems option. However if you are handy with a bench magnifier and soldering iron there is now also a homebrew option , the DigiLite. This will set you back under £150 but needs a PC to do the serialising using either a PCI card PVR or an external USB Hauppage PVR box .Details elsewhere on this website. |
POWER AMP: Usually an intermediate amplifier to raise the rf to the 150 -500mW level is used and then a main PA giving up to 25w. Mitsubishi modules RA18H1213G are popular for PAs and each give about 18Watts of rf out at 23cms. They can be used individually, in pairs (35watts) or fours, giving a power of over 100 watts. The new versions require a drive of only 150mW each, the old ones needed 1 watts rf. They also give more output power too. There are kits and ready-made modules which will provide this drive level. See LINKS page. The linearity needs to be good for the wide bandwidth atv signals. Even more so in the future as we increasingly go over to digital. These modules are very low efficiency and generate more heat than rf ! A good PSU and heatsink and fan(s) are essential. The one module PA needs about 8A at 14v, the two module unit needs 16A at 14v; 4 module unit needs about 30 amps at 14 volts. Quiescent current (no rf drive into PA) should be 1 to 2A for single chip, 3 to 4A for dual chips PA. An important piece of test equipment you will certainly need at some point is a 23cms swr/power meter. It allows you to tweak the equipment for maximum power out and equally important to ensure that as little as possible returns back from the aerial. Ironically this little piece of equipment actually costs more than the PA devices. If you are setting up for ATV you will probably be able to borrow one to check your aerial system from a local operator or take a look for a secondhand one. |
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THE STUDIO
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Switching Some form of switching between different video sources will eventually be needed, a simple video and audio switchbox as used for video recorders etc is fine. A true mixer with total fade is not normally an option as this requires all equipment to be syncronised to a central timebase, not normally possible to achieve with domestic camcorders etc.(when you drop the level of the video waveform you also drop the level of the sync pulses too but even if you strip the syncs off first there is always a difference in the timing between the different sources) Mixers such as the Panasonic MJAVE5 convert both inputs to digital and then back to analogue allowing mixing and crossfade effects to be produced and can be found on Ebay for about a hundred pounds. They are rather wide to have on a small bench, however. Computer Any computer with a TV out card should do, but not easy to find these days, so you might need to use a VGA to video adapter (Ebay) or a DVI to composite video convertor to get the composite video feed to send to the modulator. The PC is useful for testcards etc but a camera can usually go strraight into the modulator or encoder |
Sound.
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TV
camera.
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WITH A
LITTLE HELP FROM YOUR FRIENDS |
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Get
in touch with other local ATVers and let them help you . If they are anything
like the guys here in Bournemouth they will be delighted to help get you
up and running. They know what signals you can expect to get and will be
able to advise on what not to waste your money on. Thery may have some old equipment you can have to get started with. You can always email me
if you have a general query or visit one of the repeater groups listed on
the links page and email them direct. An easy source of ATV information is held on the BATC site, by joining the club you can access their excellent magazine, CQTV, the last 10 years of which are available for free download to members. Currently E-membership is only £6 a year. Another good magazine is the on-line free CQ_DATV magazine monthly download. |
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